UPCOMING EVENTS

The Haunt - Ithaca, NY

with EZTV

With EZTV

Feb 12

Feb 12

Doors open at 7:00 pm Starts at 8:00 pm Ages 18+ Only

Price: $15

Event Information

Now that every record is a “big event”, it’s hard to figure out what really matters. Sometimes the quieter moments are things you connect with, and Martin Courtney, the frontman of Real Estate, just made an album of intimate moments worth treasuring. After the 2014 release of Atlas, the third LP from Ridgewood, New Jersey’s Real Estate, Courtney started quietly chipping away at some new songs while he was waiting to head back on the road with his band. The idea was that they would be his songs. They’d be a little more compact and concise, a little less abstract. “I was trying to do a straightforward pop thing,” he says. It turns out that what Courtney actually means when he talks about straightforward pop is a collection of soft psychedelia that recalls the Kinks and Big Star even as it probes the depths of his own life as a family man, father, and touring musician. Many Moons is breezy, full of subtle introspection, an elliptical document of Courtney’s transition into family life and fatherhood, largely written while he was on the road. “My original goal for this record was to write songs about one specific idea and have that be that,” he says. “A lot of times with my songs in the past it was very abstract. A phrase would come into my head and I would have no idea what the song was about until months later.” You can hear the newfound clarity of his songwriting on “Airport Bar,” which finds Courtney wasting time waiting for his next flight, grappling with boredom and longing: “It’s half past two in the afternoon/ and I wish I could see your faces/ wondering where you are from an airport bar/ it’s a useless exercise but what’s time wasted.” It is a plain emotional sentiment, but it feels important and real. After writing a couple tracks, Courtney realized what he was working on was slowly turning into a full LP, so he enlisted the help of Jarvis Taveniere of Woods to produce and play on the bulk of the record. He also brought in Real Estate’s keyboard player Matt Kallman, longtime friend Julian Lynch, and a whole host of others. Over the next year-and-a-half, the pair recorded sporadically. The result is an album that feels lush and calm, but with a newfound sonic clarity, a brightness often rounded out with orchestral arrangements. The instrumental title track is a bucolic, string and flute number that wouldn’t be out of place on a prime-era Pentangle record. Courtney has long made a career of writing songs about what happens when your image of home is something you’re trying to hold on to, when the nostalgia that used to comfort you starts to feel unfamiliar, but on Many Moons, he’s moved through that. It doesn’t feel like a rejection of nostalgia, but an embrace of what’s ahead. It is an album-length meditation on his life right now, which is the type of exploration Courtney has become exceptional at. You can hear the change in his arrangements, which still retain the laconic, squinting-at-the-sun vibe of the best Real Estate songs. On the musically upbeat but lyrically conflicted “Northern Highway,” he sings, “life out here can make you weary/folks at home all wishing well/I just wish I had you near me/I don’t stand a chance in hell,” cloaking his jetlagged exhaustion in a track that expertly straddles the line of longing and contentment. Courtney’s always been an expert writer of restlessness and duality, with what it means to grow older with full awareness that he’s growing older. On “Vestiges,” his most lyrically dense piece of writing yet, he sings, “Black mold basements and fenced in yard/rhapsodizing in packed out cars/one can hope that it’s in the cards for you/ But this place is like a column of stone/many moons for it to grow/phases they will come and they will go.” Like the rest of the album, the sadness inherent in this kind of remembrance creeps up on you, and then it starts to feel a lot less like sadness, and a lot more like loving embrace of a specific time. “I like the idea of being a musician, but I’ve always really not liked the idea of putting too much of myself out there,” he says. “I like the idea of disappearing into a band.” Without a band to disappear into, Courtney made the kind of record that worms its way into your brain and becomes part of your life without you knowing it. “It’s always good to have some air in the room,” he says. Many Moons is the sound of Courtney looking at the life he’s built for himself, the success of his band, and taking a deep breath, letting all the pressure go and just working through the life that’s right in front of him.

Academy of Music - Northampton, MA

with Joyce Andersen

Feb 13

Feb 13

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

"The finest rock songwriter after Dylan and the best electric guitarist since Hendrix." -- Los Angeles Times “A folksinger who (shreds) like an arena-rock star... and still writes songs that sting and storm.” -- NPR Named by Rolling Stone Magazine as one of the Top 20 Guitarists of All Time, Richard Thompson is also one of the world’s most critically acclaimed and prolific songwriters. He has received Lifetime Achievement Awards for Songwriting on both sides of the Atlantic - from the Americana Music Association in Nashville to Britain’s BBC Awards and the prestigious Ivor Novello. In 2011, Thompson was the recipient of the OBE (Order of the British Empire) personally bestowed upon him by Queen Elizabeth II at Buckingham Palace. Most recently, the Americana Music Honors & Awards nominated him for “Artist of the Year”. Having co-founded the groundbreaking group Fairport Convention as a teenager in the 60’s, Richard Thompson and his mates virtually invented British Folk Rock. By the age of 21 he left the band to pursue his own career, followed by a decade long musical partnership with his then-wife Linda, to over 30 years as a highly successful solo artist. A wide range of musicians have recorded Thompson’s music including Robert Plant, Elvis Costello, REM, Del McCoury, Bonnie Raitt, Los Lobos, David Byrne, Don Henley and many others. Thompson’s massive body of work includes over 40 albums, many Grammy nominations, as well as numerous soundtracks, including Werner Hertzog’s Grizzy Man. His most recent CD, Electric, was produced by the great Nashville musician Buddy Miller (Band of Joy, Patty Griffin.). Electric continues to receive positive praise with Rolling Stone declaring, “…the excellence is undeniable.” This year saw Richard Thompson headlining dates around the world as well as co-headlining shows with Emmylou Harris & Rodney Crowell. Thompson and his band joined the Americanarama Tour sharing the stage with Bob Dylan, Wilco, and My Morning Jacket culminating with Dylan himself covering RT’s classic song “’1952 Vincent Black Lightening”. Thompson’s genre defying mastery of both acoustic and electric guitar along with dizzying energy and onstage wit continue to earn Richard Thompson massive new fans and a place as one of the most distinctive virtuosos in folk rock history. “Genius appears early. Legends are earned. But history’s greatest never stand on their laurels. This is the artistic arc for Richard Thompson!”

The Dock - Ithaca, NY

with Jaye Jayle

Feb 13

Feb 13

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $12-$15

Event Information

Freakwater's Janet Bean and Catherine Irwin first put their distinctive harmonies to tape under a swinging Kentucky country ham in Janet's parent's basement. That was 1985. Cassette tapes sometimes have a way of landing in the right hands. Hog Butcher To The World, a 1987 WNUR compilation contains a dulcimer-driven punk rock cover of Woody Guthrie's Little Black Train from this original 4-track recording. The band appears under the name Mojo Wishbean and Trippy Squashblossom. Inside the record cover they transcribe Big Black's required artist's statement, replacing Steve Albini and Santiago Durango's names with their own, hence: "Trippy -- throbbing muscle of love dulcimer..." and "Mojo -- electrodes to the gonads vocals". This is described by Janet as "establishing our early desire to do the wrong thing." Amoeba Records in Los Angeles released the first LP by Janet's other band Eleventh Dream Day. The label's owner and sole employee was a huge Carter Family freak from Eastern Kentucky. He was so stoked about what he heard on the "Swinging Ham Sessions" tape that he agreed to pay for recording at Chicago's famous James Bond studio. Probably the biggest thing to result from Freakwater's first record (Freak Water, 1989) was meeting their future and all-time bass player, Dave Gay. Janet and Catherine and Dave have been the steely heart of the band ever since. Freakwater's darkly beautiful songs have been compared (mostly favorably) to practically anyone from the world of "outsider country" or "Americana" one might feel unworthy of being compared to. They played their first show together at a Louisville strip club/punk rock open-mic night. After 30 years together, Catherine and Janet's unflinching lyrics and compelling vocal harmonies can stab you in the heart from a mile away. There is a powerful continuity to their work but the band has never been constrained by any musical category. There is no band like Freakwater but Freakwater. The band has released seven highly acclaimed studio albums, although their rate of production has been wildly sporadic. Freakwater's lack of any normal human ambition and complete inability to capitalize on the brightest moments of critical acclaim have endeared them to their most loyal fans – while their dense shroud of mystery continues to lure the young and vulnerable. It has been almost nine years since the release of their last record, Thinking Of You (Thrill Jockey). Like a stream breaking through a busted dam, Freakwater carves its own path. Maybe they just don't know how to follow rules. Maybe they never knew there were any rules. Both Irwin and Bean have made solo albums this century. Irwin: Cut Yourself A Switch (2002) and Little Heater (2012) Bean: Dragging Wonder Lake (2002) Janet's other critically acclaimed bands, Eleventh Dream Day and The Horse's Ha, release amazing records regularly.

The Haunt - Ithaca, NY

Feb 13

Feb 13

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $8-$10

Event Information

The Jeff Love Band: the Funk and Soul of the Finger Lakes!

Voted as 2015's Best Band in Ithaca, The Jeff Love Band pays homage to the classic funk, soul and jazz of yesterday while imparting its contemporary vision on each mesmerizing offering. This eclectic brand of music brings music lovers of all ages together each time the JLB takes the stage. As a result, each Jeff Love Band event is not only a musical performance, but a social movement; A celebration of rhythmic collaboration. 
It’s your chance to dance, so get ready for the high energy experience of a lifetime. From the first high hat to the last rim shot, the JLB is guaranteed to have you movin’ and groovin’ all night long.

The Haunt - Ithaca, NY

Feb 18

Feb 18

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $15-$18

Event Information

Age policy: 18+ with ID / under 18 with a parent or guardian

Academy of Music - Northampton, MA

Feb 20

Feb 20

Doors open at 5:30 pm Starts at 6:30 pm All ages

Event Information

“At the top of her game…” (San Francisco Chronicle) “Never been funnier…” (Boston Globe) "Insightful, thought-provoking humor… (Chicago Tribune) 32 years ago Paula Poundstone climbed on a Greyhound bus and traveled across the country -- stopping in at open mic nights at comedy clubs as she went. A high school drop-out, she went on to become one of the great humorists of our time. You can hear her through your laughter as a regular panelist on NPR’s popular rascal of a weekly news quiz show, Wait Wait…Don’t Tell Me. She tours regularly, performing standup comedy across the country, causing Bob Zany with the Boston Globe to write: “Poundstone can regale an audience for several hours with her distinctive brand of wry, intelligent and witty comedy.” Audience members may put it a little less elegantly: “I peed my pants.” While there is no doubt that Poundstone is funny, the thing that separates her from the pack of comics working today and that has made her a legend among comics and audiences alike is her ability to be spontaneous with a crowd. Poundstone says: “No two shows I do are the same. It's not that I don't repeat material. I do. My shows, when they're good, and I like to think they often are, are like a cocktail party. When you first get there, you talk about how badly you got lost and how hard it was to find parking. Then you tell a story about your kids or what you just saw on the news. You meet some new people and ask them about themselves. Then, someone says, "Tell that story you used to tell," and then someone on the other side of the room spills a drink, and you mock them. No one ever applauds me when I leave a party, though. I think they high five.” Paula's interchanges with the audience are never mean or done at a person’s expense. She even manages to handle politics without provoking the pall of disapproval less artful comics have received. Paula’s touring schedule is rigorous. She performs an average of 75 dates per year, mostly in Performing Arts Centers and Theatres. For those who don’t have a chance to see her live, they can listen to her brilliance on her CD’s or read her in print: Her newest comedy CD, I HEART JOKES: Paula Tells Them in Boston was recorded during a performance at the historic Wilbur Theatre in the heart of the city and released on April Fool’s Day 2013. It follows her first CD, I HEART JOKES: Paula Tells Them in Maine (November 2007), recorded at the world-famous Stone Mt. Arts Center in none-other than, Maine! Both are available for sale thru Paula’s website at www.paulapoundstone.com, on Amazon, CDbaby, Itunes, and if you are there, at Paula’s shows! Paula is also an accomplished writer. Her first hard cover book, There is Nothing In This Book That I Meant To Say, with a forward by Mary Tyler Moore, was published in 2006 by Harmony Books, a division of Random House. It is still in release on audio (Highbridge) and in paperback. Paula is hard at work on her second book, this one for Algonquin Press. Wait Wait…Don’t Tell Me is now the most popular show on NPR, having reached #1 status in 2014. Listeners can test their knowledge against some of the best and brightest in the news and entertainment world while figuring out what's real news and what's made up. Paula quickly goes on record about how much she loves being part of the show saying: “I am a proud member of the endorphin production industry. They allow me to say whatever I want on Wait, Wait…Don't Tell Me. The panelists are unscripted, so it's perfect for me. I feel like I'm a batter in a batting cage. I get lobbed topics. Sometimes I just watch them go by, but every now and then I get a piece of one. If the others didn't cheat, it would be an almost perfect work experience.” The show is also heard internationally on NPR Worldwide and on the Internet via podcast. In May 2013 the show was Cinecast to movie theatres across the country.Paula was on the show, as was Steve Martin. Paula recently did commentary on CBS Sunday Morning. Her editorial pieces can be heard on NPR's All Things Considered. An avid reader, Paula signed on as the National Spokesperson for the American Library Association’s (ALA) United for Libraries in 2008 – a role she continues to this day! United for Libraries is a national citizen’s support group that works to raise funds and awareness for their local libraries. Said Paula, when she was chosen, “It’s funny that we think of libraries as quiet demure places where we are shushed by dusty, bun-balancing, bespectacled women. The truth is libraries are raucous clubhouses for free speech, controversy and community. Librarians have stood up to the Patriot Act, sat down with noisy toddlers and reached out to illiterate adults. Libraries can never be shushed.” As part of her duties, Paula recorded a public service announcement for United for Libraries and helps raise funds. For the last four years she has also been the headline panelist at the ALA’s annual conference for their “Laughs On Us” panel of writers. To quote Sally Reed, the ALA Nat'l Director: "...you'd have to come to one of these events to see how adored Paula is by librarians. We love her and it's never repetitive." Paula's incredible spontaneous humor is the perfect fit for the voracious appetite of the social networks: Follow her on: Twitter@twitter.com/paulapoundstone; Facebook: facebook.com/PaulaPoundstone. And enjoy her website: www.paulapoundstone.com Paula grew up in Sudbury, Massachusetts, and began performing at open-mic nights in 1979. Over the span of her career, she has amassed a list of awards and accolades that stretch the length of a great big tall guy’s arm. She not only shot through the glass ceiling, she never acknowledged it was there. She was never one to stereotype herself as a ‘female comedian’ or limit herself to comedy from a ‘female’ point of view. In the early 90’s she was the first woman to win the cable ACE for Best Standup Comedy Special and the first woman to be invited to perform standup at the prestigious White House Correspondents dinner where she joined the current President as part of the evening’s entertainment. Paula starred in a self-titled series for HBO in ’93 (for which she won her second Cable ACE Award for Best Program Interviewer) and moved the show to ABC which was short-lived, but applauded for its break from convention. Paula had her own comedy specials on HBO and BRAVO. In fact, she starred in several comedy specials on HBO, including “Paula Poundstone Goes to Harvard,” the only time the elite university has allowed their name to be used in the title of a television show. If it means anything to anyone, Paula is recognized as one of Comedy Central's 100 greatest stand-ups of all time. She won an American Comedy Award for Best Female Standup Comic, and in 2010 she was one of a select group voted into the Comedy Hall of Fame. Late-night America roared when Paula served as "official correspondent" for The Tonight Show during the 1992 Presidential race. This was followed by her extremely successful backstage commentary during the 1993 Emmy telecast. She has made numerous appearances on all the late night talk shows, including David Letterman, and a regular stint with Craig Ferguson. She has also appeared on The Today Show, Good Morning America, and guested several times on Garrison Keillor’s A Prairie Home Companion. In 2000, when a syndicated version of the popular game show To Tell The Truth came calling for Paula to be one of the panelists, she found another perfect showcase for her razor-sharp humor and spontaneous wit. Beginning in 1997, Paula voiced the character of Judge Stone on the acclaimed ABC-TV Saturday morning animated series Science Court (a.k.a. “Squigglevision”) for three years. In 1999 (the premiereseason) she added to her repertoire the voice of the Mom, ‘Paula’ in what is still considered a renownedcult show, Home Movies (UPN and The Cartoon Network). Paula guest starred on the CBS series Cybill, which led to a recurring role during the show’s final season, and also appeared on PBS favorites such as Sesame Street and Storytime. She won a local Emmy Award for her field pieces on the erudite “Life & Times” for PBS station KCET. She appeared on several network television specials including A Salute to The President from Fords Theatre on ABC when President Clinton was in office, and performed on every Comic Relief Special on HBO. These specials were heralded for the hundreds of thousands of dollars raised for the homeless and the lineup of stars. Paula has also enjoyed success as a Host of many events, including the Art Directors Guild Awards, an unprecedented 4 times, Logically Paula is almost always included in any compendium – be it film, television or print, noting comedic influences of the 20th/21st century. They include Why We Laugh Too: Women of Comedy (Lions Gate feature-length documentary, Showtime, 2013); We Killed: The Rise of Women in American Comedy (Sarah Crichton Books, 2012.) One of Paula’s quotes is even included in a new beautifully illustrated coffee table book on cats alongside quotes by notable authors and artists including W. H. Auden, Mark Twain, and Henry David Thoreau (Chronicle Books, 2015). Paula’s other writing credits include the back page column for Mother Jones from 1995-1998, the “Sunday Calendar” section for the Los Angeles Times, Entertainment Weekly, and Glamour magazine. In 2006 Paula authored a series of three math books with her high school Math teacher, Faye Ruopp: The Sticky Problem of Parallelogram Pancakes: And Other Skill-Building Math Activities, Grades 4-5; Venn Can We Be Friends?: And Other Skill-Building Math Activities, Grades 6-7; You Can't Keep Slope Down: And Other Skill-Building Math Activities, Grades 8-9. These are all available thru Amazon. Paula has three children, Toshia, Allison, and Thomas E. Poundstone. The family lives in Santa Monica, California.

State Theatre of Ithaca - Ithaca, NY

Feb 20

Feb 20

Doors open at 7:00 pm Starts at 8:00 pm All ages

Event Information

Hosted by Peter Aguero with storytellers Rebecca Barry, Shannon Cason, Abbas Mousa, Danusia Trevino, Steve Zimmer. 


 


“It is brilliant and quietly addictive” – The London Guardian “New York’s hottest and hippest literary ticket” – The Wall Street Journal The Moth is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling. It is a celebration of both the raconteur, who breathes fire into true tales of ordinary life, and the storytelling novice, who has lived through something extraordinary and yearns to share it. At the center of each performance is, of course, the story – and The Moth’s directors work with each storyteller to find, shape and present it. Since its launch in 1997, The Moth has presented thousands of stories, told live and without notes, to standing-room-only crowds worldwide. Moth shows are renowned for the great range of human experience they showcase. Each show starts with a theme, and the storytellers explore it, often in unexpected ways. Since each story is true and every voice authentic, the shows dance between documentary and theater, creating a unique, intimate, and often enlightening experience for the audience. Moth stories dissolve socio-economic barriers, expose vulnerabilities, and quietly suggest ways to overcome challenges and see with new eyes. The Moth Mainstage is our flagship program and features stories by luminaries in the arts and sciences, newsmakers and news breakers, and everyday heroes (and even a few reformed villains!). Each show features five storytellers who develop and shape their stories with The Moth’s directors. Beyond a mere theatrical experience, The Moth is an ever-growing community where entertainment, enlightenment and festivity merge. The Moth Mainstage is a staple of the literary and art scenes in New York City and Los Angeles, but also tours throughout the United States and abroad. On the road, favorite storytellers from past Moth shows share the stage with local voices.

Academy of Music - Northampton, MA

Feb 20

Feb 20

Doors open at 8:00 pm Starts at 9:00 pm All ages

Event Information

“At the top of her game…” (San Francisco Chronicle) “Never been funnier…” (Boston Globe) "Insightful, thought-provoking humor… (Chicago Tribune) 32 years ago Paula Poundstone climbed on a Greyhound bus and traveled across the country -- stopping in at open mic nights at comedy clubs as she went. A high school drop-out, she went on to become one of the great humorists of our time. You can hear her through your laughter as a regular panelist on NPR’s popular rascal of a weekly news quiz show, Wait Wait…Don’t Tell Me. She tours regularly, performing standup comedy across the country, causing Bob Zany with the Boston Globe to write: “Poundstone can regale an audience for several hours with her distinctive brand of wry, intelligent and witty comedy.” Audience members may put it a little less elegantly: “I peed my pants.” While there is no doubt that Poundstone is funny, the thing that separates her from the pack of comics working today and that has made her a legend among comics and audiences alike is her ability to be spontaneous with a crowd. Poundstone says: “No two shows I do are the same. It's not that I don't repeat material. I do. My shows, when they're good, and I like to think they often are, are like a cocktail party. When you first get there, you talk about how badly you got lost and how hard it was to find parking. Then you tell a story about your kids or what you just saw on the news. You meet some new people and ask them about themselves. Then, someone says, "Tell that story you used to tell," and then someone on the other side of the room spills a drink, and you mock them. No one ever applauds me when I leave a party, though. I think they high five.” Paula's interchanges with the audience are never mean or done at a person’s expense. She even manages to handle politics without provoking the pall of disapproval less artful comics have received. Paula’s touring schedule is rigorous. She performs an average of 75 dates per year, mostly in Performing Arts Centers and Theatres. For those who don’t have a chance to see her live, they can listen to her brilliance on her CD’s or read her in print: Her newest comedy CD, I HEART JOKES: Paula Tells Them in Boston was recorded during a performance at the historic Wilbur Theatre in the heart of the city and released on April Fool’s Day 2013. It follows her first CD, I HEART JOKES: Paula Tells Them in Maine (November 2007), recorded at the world-famous Stone Mt. Arts Center in none-other than, Maine! Both are available for sale thru Paula’s website at www.paulapoundstone.com, on Amazon, CDbaby, Itunes, and if you are there, at Paula’s shows! Paula is also an accomplished writer. Her first hard cover book, There is Nothing In This Book That I Meant To Say, with a forward by Mary Tyler Moore, was published in 2006 by Harmony Books, a division of Random House. It is still in release on audio (Highbridge) and in paperback. Paula is hard at work on her second book, this one for Algonquin Press. Wait Wait…Don’t Tell Me is now the most popular show on NPR, having reached #1 status in 2014. Listeners can test their knowledge against some of the best and brightest in the news and entertainment world while figuring out what's real news and what's made up. Paula quickly goes on record about how much she loves being part of the show saying: “I am a proud member of the endorphin production industry. They allow me to say whatever I want on Wait, Wait…Don't Tell Me. The panelists are unscripted, so it's perfect for me. I feel like I'm a batter in a batting cage. I get lobbed topics. Sometimes I just watch them go by, but every now and then I get a piece of one. If the others didn't cheat, it would be an almost perfect work experience.” The show is also heard internationally on NPR Worldwide and on the Internet via podcast. In May 2013 the show was Cinecast to movie theatres across the country.Paula was on the show, as was Steve Martin. Paula recently did commentary on CBS Sunday Morning. Her editorial pieces can be heard on NPR's All Things Considered. An avid reader, Paula signed on as the National Spokesperson for the American Library Association’s (ALA) United for Libraries in 2008 – a role she continues to this day! United for Libraries is a national citizen’s support group that works to raise funds and awareness for their local libraries. Said Paula, when she was chosen, “It’s funny that we think of libraries as quiet demure places where we are shushed by dusty, bun-balancing, bespectacled women. The truth is libraries are raucous clubhouses for free speech, controversy and community. Librarians have stood up to the Patriot Act, sat down with noisy toddlers and reached out to illiterate adults. Libraries can never be shushed.” As part of her duties, Paula recorded a public service announcement for United for Libraries and helps raise funds. For the last four years she has also been the headline panelist at the ALA’s annual conference for their “Laughs On Us” panel of writers. To quote Sally Reed, the ALA Nat'l Director: "...you'd have to come to one of these events to see how adored Paula is by librarians. We love her and it's never repetitive." Paula's incredible spontaneous humor is the perfect fit for the voracious appetite of the social networks: Follow her on: Twitter@twitter.com/paulapoundstone; Facebook: facebook.com/PaulaPoundstone. And enjoy her website: www.paulapoundstone.com Paula grew up in Sudbury, Massachusetts, and began performing at open-mic nights in 1979. Over the span of her career, she has amassed a list of awards and accolades that stretch the length of a great big tall guy’s arm. She not only shot through the glass ceiling, she never acknowledged it was there. She was never one to stereotype herself as a ‘female comedian’ or limit herself to comedy from a ‘female’ point of view. In the early 90’s she was the first woman to win the cable ACE for Best Standup Comedy Special and the first woman to be invited to perform standup at the prestigious White House Correspondents dinner where she joined the current President as part of the evening’s entertainment. Paula starred in a self-titled series for HBO in ’93 (for which she won her second Cable ACE Award for Best Program Interviewer) and moved the show to ABC which was short-lived, but applauded for its break from convention. Paula had her own comedy specials on HBO and BRAVO. In fact, she starred in several comedy specials on HBO, including “Paula Poundstone Goes to Harvard,” the only time the elite university has allowed their name to be used in the title of a television show. If it means anything to anyone, Paula is recognized as one of Comedy Central's 100 greatest stand-ups of all time. She won an American Comedy Award for Best Female Standup Comic, and in 2010 she was one of a select group voted into the Comedy Hall of Fame. Late-night America roared when Paula served as "official correspondent" for The Tonight Show during the 1992 Presidential race. This was followed by her extremely successful backstage commentary during the 1993 Emmy telecast. She has made numerous appearances on all the late night talk shows, including David Letterman, and a regular stint with Craig Ferguson. She has also appeared on The Today Show, Good Morning America, and guested several times on Garrison Keillor’s A Prairie Home Companion. In 2000, when a syndicated version of the popular game show To Tell The Truth came calling for Paula to be one of the panelists, she found another perfect showcase for her razor-sharp humor and spontaneous wit. Beginning in 1997, Paula voiced the character of Judge Stone on the acclaimed ABC-TV Saturday morning animated series Science Court (a.k.a. “Squigglevision”) for three years. In 1999 (the premiereseason) she added to her repertoire the voice of the Mom, ‘Paula’ in what is still considered a renownedcult show, Home Movies (UPN and The Cartoon Network). Paula guest starred on the CBS series Cybill, which led to a recurring role during the show’s final season, and also appeared on PBS favorites such as Sesame Street and Storytime. She won a local Emmy Award for her field pieces on the erudite “Life & Times” for PBS station KCET. She appeared on several network television specials including A Salute to The President from Fords Theatre on ABC when President Clinton was in office, and performed on every Comic Relief Special on HBO. These specials were heralded for the hundreds of thousands of dollars raised for the homeless and the lineup of stars. Paula has also enjoyed success as a Host of many events, including the Art Directors Guild Awards, an unprecedented 4 times, Logically Paula is almost always included in any compendium – be it film, television or print, noting comedic influences of the 20th/21st century. They include Why We Laugh Too: Women of Comedy (Lions Gate feature-length documentary, Showtime, 2013); We Killed: The Rise of Women in American Comedy (Sarah Crichton Books, 2012.) One of Paula’s quotes is even included in a new beautifully illustrated coffee table book on cats alongside quotes by notable authors and artists including W. H. Auden, Mark Twain, and Henry David Thoreau (Chronicle Books, 2015). Paula’s other writing credits include the back page column for Mother Jones from 1995-1998, the “Sunday Calendar” section for the Los Angeles Times, Entertainment Weekly, and Glamour magazine. In 2006 Paula authored a series of three math books with her high school Math teacher, Faye Ruopp: The Sticky Problem of Parallelogram Pancakes: And Other Skill-Building Math Activities, Grades 4-5; Venn Can We Be Friends?: And Other Skill-Building Math Activities, Grades 6-7; You Can't Keep Slope Down: And Other Skill-Building Math Activities, Grades 8-9. These are all available thru Amazon. Paula has three children, Toshia, Allison, and Thomas E. Poundstone. The family lives in Santa Monica, California.

The Haunt - Ithaca, NY

with Xylouris White

Feb 21

Feb 21

Doors open at 7:00 pm Starts at 8:00 pm Ages 18+ Only

Price: $20

Event Information

Having been the subject and willing conspirator of many intentional lies planted in Sonic Youth bios over the years, I know first hand the way album lore can bend reality to its truth. After the infamous Byron Coley originated the SY “Trilogy” myth in the Murray Street bio, we had no choice but to fulfill those expectations with Sonic Nurse. “Why did you decide to make a trilogy?” was always the first question asked in interviews around that time. But this is Kurt Vile’s bio, and I wont do that to him. Anyway, Kurt does his own myth making; a boy/man with an old soul voice in the age of digital everything becoming something else, which is why this focused, brilliantly clear and seemingly candid record is a breath of fresh air. Recorded and mixed in a number of locations, including Los Angeles and Joshua Tree, b’lieve i’m goin down… is a handshake across the country, east to west coast, thru the dustbowl history (“valley of ashes”) of woody honest strait forward talk guthrie, and a cali canyon dead still nite floating in a nearly waterless landscape. The record is all air, weightless, bodyless, but grounded in convincing authenticity, in the best version of singer songwriter upcycling. In Kurt’s words, “I wanted to get back into the habit of writing a sad song on my couch, with nobody waiting on me. I really wanted it to sound like it’s on my couch — not in a lo-fi way, just more unguarded and vulnerable.” For a record that plays like a cohesive acoustic experience, its musicality marks Kurt’s departure from an electric guitar experience to include a range of instrumentation with a large group of players. From the banjo he plays on “I’m an Outlaw” to the piano and lapsteel on “Life Like This,” and the myriad other instruments on other songs, including farfisa, resonator, arps, horns and synth, one never thinks about what exactly yr listening to as it all serves the song.

The heart of the record is “Stand Inside.” The music is quiet and the melody, like a hymn, folds in on itself, and embraces full strength in a sexy, floating forcelessness that slowly gathers into a wave that doesn’t go where you think it will or rather gives in to itself and celebrates a man willing to be defined by a woman and his love for her as witness to each other’s lives… Don’t stand by my side, stand inside gives up roleplaying for true exposure and vulnerability. It’s a weird, accepting, mature record, acknowledging the inherent immaturity of being a person whether father, husband, partner, adult, musician, not perfect, but compelling for its understanding … that’s life though so sad to say… I love this record, b’lieve i’m goin down. Kim Gordon

The Haunt - Ithaca, NY

with Ben Silver (of Orchard Lounge)

Feb 24

Feb 24

Doors open at 8:00 pm Starts at 9:00 pm Ages 18+ Only

Price: $15-$18

Event Information

BoomBox, the electronic duo compromised of versatile producers, DJs, songwriter, and multi-instrumentalists Russ Randolph and Zion Rock Godchaux, are currently in the studio putting the finishing touches on their follow-up to 2014’s Filling In The Color. Look for further exploration of the bands’ signature sound, an electronic blend of soulful Rock and Blues based dance music incorporating Backbeat, Psychedelia and Funky House sounds.

- Upcoming Highlights -

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- Spotlight Artists -

- Just Announced -

Mar 25

The Dock - Ithaca, NY

Apr 6

State Theatre of Ithaca - Ithaca, NY

Apr 15

The Hangar Theatre - Ithaca, NY

Apr 16

State Theatre of Ithaca - Ithaca, NY

Apr 21

The Haunt - Ithaca, NY

Apr 28

The Dock - Ithaca, NY

- Social Updates -

Our email blast goes out TODAY AT NOON! Pre-sale password for Ry Cooder, Sharon White and Ricky Skaggs is in it :) SIGN UP NOW before you miss it! Click the sign up button at the top of our page or go to dansmallspresents.com!!

Dan Smalls Presents

The Oh Hellos will be at The Haunt on April 7th!! Tickets are FRIDAY at https://dansmallspresents.frontgatetickets.com/event/at4eaoqij6vholak

Exited to welcome The Oh Hellos April 7th courtesy of Dan Smalls Presents!! Tickets on sale this Friday!

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